2018: Living My Eltonite Dream in New York

I had already been to the United States in 2012, and I had seen everything one is supposed to see as a tourist: the Statue of Liberty, Central Park, and Fifth Avenue in New York. But this time, six years later, it was different. This was my Eltonite journey.

The Farewell Yellow Brick Road Tour arrived in New York with two concerts on October 18 and 19, following its premiere in September in Allentown, Pennsylvania. Having already seen Elton in my hometown Barcelona, as well as in Madrid, Paris, Milan, Munich, and London, I simply could not allow myself to miss seeing my idol at the summit, at the epicenter — at Madison Square Garden.

And I didn’t book just one night. I booked both. Because if I was going to do it, I had to do it properly.

The perfect prelude to this journey was meeting Bernie Taupin. If someone had told me back in 1984 — when I was turning the dial of my radio searching for songs by Elton John and his lyricist — I would have thought they were completely mad.

And yet, on October 17, at Chase Contemporary, 231 10th Ave, Taupin was opening his exhibition of art pieces — an iconic and impactful collection titled True American. Themes and symbols of patriotism, combined with music, ran deep throughout the entire exhibition. I must admit I was nervous about that moment. It would have been enough for me just to be near Taupin — listening to his explanations, simply being part of the event. I was there, and I could hardly understand how I could be so fortunate.

Everyone gathered around Bernie, asking for photographs. His beautiful wife was there, along with his lovely daughters. There were cocktails, conversation, and an atmosphere filled with admiration. The response to his work was overwhelmingly positive. I also had my own perfect reward: my photo with Bernie. I was truly euphoric. 

And beyond that, the best was still ahead of me — the concerts at Elton John’s sanctuary: Madison Square Garden. Not just one. I had tickets for both nights. I had always dreamed of experiencing a concert there, and what better occasion than the Farewell Tour? I had everything ready: my T-shirts, my glasses, my LPs to be signed, my passes. My hotel was on Broadway, directly across from where Bruce Springsteen was performing Springsteen on Broadway. And just as I stepped out of the hotel, I found myself among a group of fans waiting for “The Boss” to come out and sign autographs. I joined the line. One hour. Two hours. It felt endless. More and more people gathered around. I was at the front and refused to move. Finally, the door opened — and out came Bruce Springsteen. It was incredible. He stopped right in front of me to sign autographs — mine included. I told him I was from Barcelona, and he said he loved my city.

I kept glancing at my watch and, little by little, once another personal goal had been fulfilled, I ran off to meet two great friends — people I had known for years online but had never met in person until that day. At the agreed time, Kimberlee Kemble and Lisa Greer were waiting at the restaurant so we could finally meet and talk for hours about Elton. That is the beauty of this current of fans — of Eltonites — who travel to see our idol. When you finally meet them, there is an immense joy in connecting with someone you already know so well, yet have never seen face to face. It is curious, but it is true. 

And as I walked up the steps toward the first of the concerts at Madison Square Garden, I felt deeply emotional thinking about how many more people I might have the chance to meet there as well. The setlist was well known, so there was no room for surprise additions that night. We already knew the band was tight, that Elton was in good form. The real anticipation was in the atmosphere that always surrounds him when he steps onto that mythical New York stage. It was in the staging, in the production, in the visual design — and I can say it truly hypnotized me.

I remember the lights going down. The intro beginning to play. The musicians walking out and taking their places. And above all, those first chords of “B-B-B-Bennie and the Jets.” Incredible. The arena exploded. The ovation for Elton was apotheotic and lasted throughout the entire concert. Every word, every gesture, every expression was celebrated. The show came close to perfection. There were many emotional moments, especially when the audience chanted and applauded each member of the band by name. And when Elton ascended and disappeared along the Yellow Brick Road, I was left speechless — satisfied, overwhelmed, emotional. I had done it. I had fulfilled my dream of seeing Elton in New York. I remember walking around outside the venue afterwards, passing by the trucks, the VIP area, just taking it all in. Then I slowly made my way back to the hotel, singing to myself in the street. I was in no hurry. I wanted to savor every second, replaying the concert in my mind. And all of this knowing it was not over. Because the next day was still to come. And that night, yes — I would be sitting in one of the very front rows, right in front of the stage.

And yes, that was the big day. I had a feeling something extraordinary was going to happen. I already had the experience of the night before; I knew how to move around the venue, and as I mentioned earlier, I had an excellent seat. I was able to speak with Kim Bullard and give him a few gifts I had brought from Barcelona. Every time I lifted my head from my seat, I would spot a VIP nearby — David Furnish, Bill Clinton — they were right there, within reach. I enjoyed wandering around the area, and thankfully I did, because I ran into many people I had known for years online but had never met in person: Wayne Martin and Marylin, my “brothers” who had come from Italy, and suddenly, right in front of me, my admired “Elton” Jim Turano.

It was incredible. With every passing second, as the clock moved forward, the emotion and the magnitude of the experience grew stronger. Then it was time for the ritual: to sit down and surrender to the show. Wearing my Elton T-shirt, bought at the venue’s souvenir stands, I was ready. Even knowing the setlist, that night felt different — even if, on paper, it was a twin of the previous evening. Elton was energetic, unstoppable. The band gave everything, as if it were the last concert of their lives. Every song in the setlist felt like a treasure, one more powerful than the next. The atmosphere kept building, the passion overflowing, and there I was — shouting, overwhelmed, my voice beginning to fail. I remember “Candle in the Wind,” Elton alone at the piano. I remember an endless “Levon,” an extraordinary “Rocket Man,” an emotional “Your Song.” During the final bows, Elton and David’s children came out to greet the audience — they were our children in that moment, and we were all moved to see them. And then came the moment to sing “Goodbye Yellow Brick Road” at the top of our lungs, while Elton crossed the stage with his piano, heading toward the point where he would rise and disappear beyond the screen, down the Yellow Brick Road.

And there — yes — I began to cry like a child. As if I would never see Elton again. The emotion overflowed, and all the tension I had carried inside finally broke free. I remained seated. I did not want to leave. I did not want to return to everyday life, to routine. I was at the summit, at the height of it all. I knew that any other concert I might see, in any other country or city, would never carry the same magic as what I had lived there. And yet, I lived it. And I relive it still. More than seven years have passed. I have seen Elton again since then. But none will ever equal the New York pair of nights.

I remember boarding the plane and replaying every single video I had recorded — at least from the first night, because on that final evening I never once thought about filming with my phone. When the plane landed and I unfastened my seatbelt, I felt the landing of the cloud I had been floating on. And thank goodness we live in order to relive moments like these — every time I proudly proclaim my Eltonism around the world. Because being an Eltonite is a feeling that goes far beyond the artist and the man who was born and raised in London and who one day became great in America and across the world, becoming the myth he is today. Time has passed since those concerts. But I still feel them on my skin as if it were today.

An Interview with the Interviewer

As someone who usually tells stories and shares perspectives through my own space, it felt both strange and exciting to suddenly find myself on the other side of the conversation. This time, I was the one being interviewed by Robson Vianna for Elton John’s Pics—a blog that has become an essential stop for anyone interested in Elton John’s career.

Robson Vianna is a passionate music journalist and curator, known for his insightful coverage of Elton John’s career on Elton John’s Pics. A devoted fan since 1973, Robson has dedicated decades to exploring Elton’s music, performances, and legacy. He shares digital recordings, photographs, and historical documents, often highlighting rare or little-known moments from Elton’s career. Beyond collecting and archiving, Robson is committed to preserving musical history, restoring rare interviews and live performances, and making them accessible to fans worldwide. He collaborates with other enthusiasts through various projects on platforms like YouTube and AllMyLinks, creating spaces where memories, stories, and perspectives converge.

Currently, Robson is working on “The Illustrated Elton John Timeline”, a project that provides a chronological and illustrated overview of Elton’s career, covering tours, albums, media appearances, and significant events. He also continues to animate and share iconic photographs of Elton, bringing legendary images to life and preserving the artist’s rich history for fans around the world.

His deep knowledge of Elton’s work, combined with his dedication to the fan community, has made him a respected figure among collectors, historians, and devoted fans alike.

During our conversation, Robson and I explored the Eltonjohnallsongslist blog’s journey, from its beginnings as a simple passion project to its growth into a central hub for fans worldwide. We discussed some of the most memorable and rare songs and recordings featured on the site, the stories behind their discovery, and the personal significance they hold. I reflected on the incredible fan community, sharing moments when people connected over memories, rare collectibles, and personal anecdotes related to Elton’s career. One of the most fascinating aspects we discussed was how collaborations with other fans often uncover unexpected stories and deepen connections within the community. We also touched on the joys and challenges of maintaining the blog while keeping it a trusted and engaging space for everyone involved.

That's on:

Elton John Pictures: An Essential Blog on Elton John’s Career: A Conversation with Miguel Sala of Elton John All Songs List

One of the most emotional parts of our discussion was remembering those we have lost: Bob Birch, Guy Babylon, and Paul Buckmaster—musicians and collaborators whose work and friendship left a lasting mark on Elton’s music and on my blog itself. There was a section on called “Interview with the Idols” where I had the chance to do interviews with various people related to Elton, and I have so many memories from those conversations. The last one was an unfinished interview with Paul Buckmaster—his passing shocked me deeply. He was a great person and always so kind to me. We went through his origins, his influences… Other painful and heartfelt losses were those of Bob Birch and Guy Babylon, both of whom had contributed to my blog. Birch, for instance, once told me how much he admired the work of the late Dee Murray.

Looking ahead, I shared with Robson my excitement about the Eltonjohnallsongslist blog’s future. Plans include new segments, more interaction with the Eltonites, and a stronger focus on collecting and preserving rare Elton-related items in the Re-collecting section. The blog will also continue to highlight talented musicians who have worked with Elton and Bernie, through the Interview with the Idols section, and follow the Adventures of Jack Rabbit series to explore and share unique stories. Beyond these, I have a feeling that something significant is emerging with Elton John, and while I’m taking it step by step, I’m confident that exciting surprises are yet to come. Above all, I remain deeply grateful for the connections, stories, and trust of all those who have collaborated with the blog—without them, none of this would be possible.

The conversation allowed me to revisit my blog’s milestones, consider its future direction, and appreciate the generosity and passion of the Elton fan family—how connections grow naturally, and how stories gain depth when shared. Being in conversation with Robson reminded me that interviews are never just about questions and answers—they are about connection, perspective, and the chance to see your own work through someone else’s eyes. That’s what made this moment truly special: an interview with the interviewer, and an opportunity to tell my story in a new light.

The C-O-M-E-B-A-C-K

 

C-O-M-E-B-A-C-K. It’s not just a word, it’s a chain, a process, an ordered sequence of events and growth that brings me back here, to my passion for the All Songs List blog. That’s why I write each letter separated, with hyphens: because every step has had its moment, its importance, and together they form this C-O-M-E-B-A-C-K I’m announcing today.

After five years of pause due to a personal lapse, I return with more strength and a fresh perspective, inspired also by the Elton John of today. We have witnessed the Farewell Tour, marking the end of a spectacular and emotional era for him and his Eltonites. But the Elton John I know now is more than an ending: he’s an artist who keeps growing, reinventing himself through a few but very meaningful collaborations, and preparing new projects that keep his legacy alive.

The blog www.eltonjohnallsongslist.blogspot.com.es is my space to follow this journey, to collect, analyze, and share his entire body of work—from the classics to these new stages—always with the same passion and rigor. At All Songs List, our Comitee d’Experts ensures depth and accuracy across diverse sections—interviews, curious research, and what I call Forth of a Kind: exclusive collaborations with renowned writers offering fresh, original insights.

And as part of this C-O-M-E-B-A-C-K, I’m thrilled to announce that soon I’ll be hosting the creators of the new Broadway musical This Is Not a Drill. A visit that symbolizes this chain of important moments and that I want to share exclusively with all of you.

Thank you for being here, for waiting, and for being part of this journey. This is just the beginning of a new chapter, full of music, stories, and emotions.

Stay tuned for exclusive interviews, deep dives into Elton’s timeless songs, and all the latest news about his ongoing projects and collaborations.

Welcome to my C-O-M-E-B-A-C-K. Let’s get started!

Picture: At Madison Square Garden, October 2018 – witnessing Elton's Farewell Yellow Brick Road Tour. A moment that stayed with me... and now leads me to this C-O-M-E-B-A-C-K.

Thank you!!! by Jack Rabbit

Finally the date comes!!!! Tired of dozens of hit albums in recent years: the greatests, the diamonds, the definitives collections, love songs, ... eltonites we were waiting for so long to have a box set like this fantastic "Jewel Box", a true gem. First attempt to compile Elton and Bernie's work was in 1990 with the "To Be Continued" box set, 4 cds with the hits mixed by deep cuts and "B" singles as well: a good taste. "Lady Samantha", in the early 80s, compiled the "B" sides of his most successful singles, and also it was "Rare Masters" in 1992, another treasure in Elton's discography. But the hungry record companies back then, were only interested only in hit songs by popular singers, trying to stop the decreasing album sales around the world. Nowadays, internet and the music in stream, allows to select more their projects with good and well prepared editions of material, where the presentation is also more accurated and LPs is more relevant than the years before, maybe because collectors and fans are more exigent about what we will buy, and, as a certain point, we preferred to spent more money if what we bought is most value. So, someone heard our prayers, and if we had to wait 30 years to have another box set collection, "Jewel Box" fullfill our dreams.

To have in our hands the early work of Elton and Bernie, some of them published sometime as the Dick James Demos, is such a blessed. Some of the titles were well known, but not their tunes. If you mixed that with the release of "B" sides until 2005, is the ice on the cake. But what is the most expressive effort and it's justice for Elton and Bernie's artwork, is a collection of masterpieces compiled by Elton himself, the deep cuts, that songs that were not exposed to public, only in some of the live concerts throught the years, but as good as to show how Elton only can be Elton himself, no copy to try. Bernie's intelligent lyrics, the story teller like no one else in the music star firmament, is also unreplaceable, althought some good attempts by Gary Osborne and specially Tim Rice. The combination Elton (music) and Bernie (lyrics) hand in hand are Elton John. If you added such talented guys like the lates Gus Dudgeon or Paul Buckmaster, and the most effective band like Dee Murray (bassist), Nigel Olsson (drums) and Davey Johnstone (guitar), all backing vocals too, you understand the success of Elton John and why they all have their place in the music history.

To review this fantastic box set, I asked to one of my master expertise, the one that is a reference to me: "Elton" Jim Turano, from Chicago. This man is so amazing, is one of my influences related to Elton. I discovered him reading his articles in the not forgotten East End Lights magazine, at the time that only you could find information about what you liked, and that's Elton John, related to his music, not his flamboyant costumes or his massive singles sales, for that we had the music pressed (not to mention the yellow press). So Jim kindly agreed to do his review for AllSongsList readers, so I thank him by heart. Soon we will have more surprises about the fifth of a kind.

I would love to thank Liz Rosenthal too and giving my public support to her. She always is gentle to AllSongsList and in future we will collaborate for sure. Liz, if you were reading this, I love you so much and wish all the best to you, you know what I mean.

So, let's start with Elton Jim. We we'll have more articles in near future... don't miss how Jack Rabbit met Bernie Taupin in 2018 and share his time with his idol, and don't miss a new project called "38 minutes" related to Kathy Babylon and Holly Doubet, that a BIG BIG thing in development. I promise to dedicate a week to this.

Thank you eltonites to join AllSongsList again, it is a long time since I was a step apart sseing and helping growing my daughter Júlia, a gift of live and a new eltonite in development, as anyone of you could expect hahaha

Hope you like the List again and thank you eltonites for being there. It is a joy always being in touch with you and enjoying time with some of you in live shows when I had the chance to meet you. I feel so honoured to have such good friends who love Elton's music: our passion since the day we'll die.

Meeting Ben Babylon: Jack Rabbit in LA

It had been a week since I’d met Ben Babylon. First reminds of that experience, are in Fred Anderson’s car, going back to the hotel. A tear round on my face and fell in my knees. It was sad someway to leave. What I had lived that day was an experience hard to explain in a few words, mostly because it was very emotional. I have to go to Miquel’s notebook in order to relate his feelings about that big date. He usually writes down his experience while travelling, pages and more pages explaining his memories about what he’s living. So, let’s start from there. 

11:00
Along with Fred Anderson and my wife, Elisabet, we take the road to somewhere behind the hills. The Beatles are on the radio airwaves. Just arrived, one door opens and a smiling Kathy Babylon welcome us. It is very nice to meet her. We exchange mails several times and it seems I knew her someway, although in fact I really don’t. It’s strange how internet approach people who are a thousand miles away from each other. Some kind of magic made the dream come true and we are there. Awesome!

12:00

Ben’s rehearsing with his band. The first reaction is to hold him. It’s really beautiful to be there. He kindly agrees to take a picture together. Two pictures, maybe three or four, it doesn’t matter. I sit on a chair and just listen. Ben Babylon’s band was first to be a trio band, as Elton did on his Tumbleweed Connection days, comprising a bass player, a drummer and a keyboardist. You must remember those names: Alex Naylor, bassist, Alex Andrews, drummer, and Ben Babylon, on keyboards. But if that wasn’t enough, they added a guitarrist, and if Elton’s had Davey Johnstone on Honky Chateau, Ben has Brian Schwartz. Despite their youth, between 15 and 20 years old, they have so much potential and putting all together, they’re a consistent band. It seems they have been playing together for a long time but that’s not so. The list of songs they’re rehearsing are from the album, on process but with a long list of fantastic songs to choose. It’s great to see how much energy they have, and specially, how much they enjoy playing together. It’s happily surprising to see how Ben looks like his father, the unforgettable Guy Babylon, while playing: same gestures, same professionality, same passion. And more than this, what pleasantly surprised me most is how Ben’s growing on stage. The songs from the album are incredibly good, and I have my favourites of course. The first single, “Contradiction” is a winner for sure. But it was unbelievable to see when I suggested to do one song, “No Goodbyes On The Road” to him. Fred Anderson asked if it was possible to play that song for me, althought it had never been rehearsed with the band. He inmediatily said “yes” and taught the band the chords and the keys of the song. And within three or four minutes they play it. “He’s a leader” I think.

13:00
Band rehearsing is finished and band mates leave. More pictures all together. I only have to congratulate that good team, they are absolutely fantastic and nicely complement to Ben. Lunch.

17:00
Well, I now know the meaning of hiking. I didn’t know what does it meant until I was climbing up rocks and mountains in order to find a great view of landscape. And I enjoy it so much although I end up tired. A pina colada in the Malibu Beach recovers anything.

20:30

After dinner, one could be a priviledged person when you have Ben Babylon solo at the piano, for the most thrilling jam session one could expect. He explained me how much Elton and Ben Folds influenced him as a musician. And that’s really is. He starts with his own songs, before paying an amazing rendition of “Rocket Man” and “Take Me To The Pilot” on the piano. If Elton’s had his quote, Ben Folds too, when he goes to “Fred Jones”, the touching story about a man’s retiring of his job. He kindly agree to perform a superb medley between “Dreams For Sale” and “No Goodbyes On The Road”. Both songs, specially the title track, have potential enough to make a big thing. I remember it was the time when this words came to mind: “He’s special, he will do it, he has it all for success”. It was a sensation, but seeing this kid to play piano and the way he does it, you have all the feelings that it could be a possible reality. I had the same feelings as when I saw Elton on piano solo for first time: with the Band I love it, but solo, sitting on an old piano, is when the artist explodes and explores the best of his being. It’s exciting to see how much Ben loves music. Music is a part of his world. He lives for music, and music embraces him to gives his best. It’s a divine partnership, a force of the nature. And Ben has the talent enough to give music his best creations, while music could keep a place for him among his top star musicians. 

22:00
The final of the jam session. I would say that it is time for goodbyes but as one of the lyrics says: there’s no goodbyes on the road”. Fred Anderson kindly returns to the hotel, not before stopping at Troubadour Club, when Elton performed for first time long years ago.

As I said in the beginning, I was sad for leaving that people behind, but I was plenty happy to see that a new star is ready to conquer the world. Sad and happy? Is that a “Contradiction”? “Big Waves Crashing Down, Shaking the Ground”. You will see, I said one day, the Number One has just arrived: Ben Babylon to reach the stardom. Give time to the artist, not in a hurry, and fasten your seat belts: the journey has begun.

Happy Chrismas, Eltonites!!! And Thank YOU!!!

"Spreading joy to the world when Christmas is here" sang Elton duetting with Joss Stone in 2005. Christmas is a special time. It's happiness and sadness, all in one: happy for the people on my side; sadness for missing people and world unjustices. It seems a time to make stop, take a breath, make an effort and go on; all in one. That contrast between two sides of life don't allow to forget that a better place is possible. A better world is possible. We have to make an effort and be positive althought sometimes is so hard to reach.

If someone of you could help on my B-Day wish helping the EJAF reach my goal, I will be grateful. If you couldn't, please, don't worry at all, it's so understandable. Thanks anyway for your attention.

We have Elton, thank God, we have Elton. I couldn't imagine life without Elton. I was born in 1969, when he started his Empty Sky debut album. I became an eltonite in 1983, for "I Guess That's Why They Call It The Blues" and since then on, I've trying to follow him with loyalty. I remember my first concert, in 1989, when a young Jack Rabbit took the train to the big City: Barcelona, instead of being school. It was the most incredible show I've been. First I was a kind of disappointed for seeing that the man I idealized was human (so naive). But I enjoyed the concert so much, as I said, but unfortunetely I loose the train back home and I had to call home saying: "Oh, didn't tell you? I am in Barcelona!!!". I'd been one month without permission going out!! But it was well deserved. Thank you, Elton!!! Thanks to former and current band members!!!

And specially, today, thank YOU ELTONITES. That is the third season of the blogsite and the most incredible thing happened to me is to meet you. Some of you, I am thankful enough to meet you in person, that's the most amazing thing of concerts: to share experiences with you. Others, I am fortunate enough to have a beatiful friendly without knowing personally. You are my family! Thanks so much for following this blogsite, the old rabbit and for collaborate with me. My only objective is to have good fun and spread Elton's name around.

So, Happy Xmas, people, have a wonderful and joyful 2011, a lot of Elton's music. By heart, me and old rabbit could sing to you: "

"Take care in all you do next year
And keep smiling through the days
If we can help to entertain you
Oh we will find the ways"

Thanks so much for being there, I wish you all the best!!!
Love you so much!!!

Miquel

Jack Rabbit In Madrid

"(She) packed my bags tonight, pre-flight". Well, I am not the only one for sure, but everytime I go to an Elton John concert, this open line comes to mind. And that's it. It was the first concert of the year and it seems that would be the last one. Well, this time it was not a travel by airplane but by train, something called "AVE", about three hours from Barcelona to Madrid. "Elt" (my ipod) came with me this time, always important an Elton atmosphere hehe.

When I arrived to Madrid, the first thing should have been to go to the hotel, to leave the packages, but Jack Rabbit ran to the building event. It was about mid day, and a few people was there on a cue. It's funny, I've met some eltonites on facebook but never seen them in person, but it seems we are more than collegues. There was AGR82 (great Antonio), AnnaBcn, Enrique from Madrid, Andreas and Mariona (wonderful couple), other people on a row. We began chattin' about Elton, concerts, collectable items, everyhting very important for an eltonite, until I realized that I had the packages with me and it was not appropiated to bring them on concert, for sure. So I left that on the Hotel. Then, hours and hours waiting. More people joined with us: Philip from Germany, Alberto from Asturias (Spain), Laura from Madrid and at the end, Julio, from Galicia too. About 7 p.m. it was announced that they will open doors, so it was time to prepare physically, for the running I would say. The doors went opened and I run as I never did on my life (Jack Rabbit running throught the woods? fuck off! Thank God I did not break nothing hehehe). But it was a worth effort: first row, in front of Elton and his piano.

I sang on every song of the concert (excuse me friends from Madrid who were at my side) and Elton looked at me some times and laugh (yes, people, I put all my sentiments on there). Oh, it seems ridiculous now but hey, on a middle of a concert, there's no time for thinking.

Elton was in a good form, better than ever. He enjoyed the show, people was so receptive to him, we screamt "Elton, Elton" so many times and he also kicked the piano as a way to tell us, "Hey, I am rocking". He began congratulating Spain for being the winner of the soccer World Cup and explained every song as usual. On "Philadelphia Freedom" I was "I love you love you love ya" and at the end of the song, he standed and pointing at me he said "Yes I do". God, my camera went on the floor (fortunetely the picture was taken).

The emotion was perceptible when he started "Funeral For A Friend", a sign that the great Ray Cooper was to come in. We guessed a shadow waiting his turn and hey, that was incredible. That's a great character, a great performance. A bald stature with dark glasses, tie and braces (thanks Google!), but hey, he didn't stop never ever: tambourines, congas, vibes, xylophones, bells, etc., God knows how many instruments he was playing. It's nice to see the songs only for piano and percussion, they're great songs "Indian Sunset" was superb, including the intro with only voice, then the piano and finally Cooper's playing. Two songs from "The Union" were performed: Elton played "You're Never Too Old" and then, with Ray Cooper, "Gone To The Shiloh", a song on the category of "Tumbleweed Connection".

For audience rejoice, he mixed "Daniel" with "Song For Guy", "Bennie And The Jets" with "In The Mood" and "Take Me To The Pilot" with "Y Viva España" (Long Live Spain) from a local singer called Manolo Escobar. That's incredible, someone taught Elton obviously. That song, played on the piano as part of "Take Me To The Pilot", is a kind of anthem for spanish audience, a song composed in 1973 that became very popular, also in the soccer stadiums (not one of my favourites though). Then he signed items for us (after 20 fucking years waiting, I've got mine) and he closed the concert with the Lion King.

A night to remember for sure. After the concert, some eltonites went to dinner, me too (giantic coke, you understand me guys), and finally, on the way to the hotel, I went to the building again. There, people from Elton's team chatted with me (well, me with them), they invite me a coke (thanks!) and they were so kind with me. They told me Elton was not very well yesterday, but, hey, seeing the performance result, nobody could tell that again. He spent the night in Madrid, that's true.

This morning I went to the Train Station to go home, remembering how important for me is Elton's world: music, fans, Elton himself. A way of life, someone told me that this is a kind of philosophy; well, maybe that's true. Jack Rabbit back home again, maybe I should take a look at next concerts. That's a way of living!!!!!!!!

Set List:

Elton solo piano

The One
Sixty Years On
The Greatest Discovery
Border Song
The Ballad of the Boy in the Red Shoes
The Emporer's New Clothes
I Guess That's Why They Call It The Blues
Rocket Man
Never Too Old ( to hold somebody )
Tiny Dancer
Philadelphia Freedom
Your Song

Elton with Ray Cooper

Funeral for a Friend
Tonight
Better Off Dead
Levon
Gone to Shiloh
Indian Sunset
I Think I'm Gonna Kill Myself
Daniel / Song For Guy
Sorry Seems To Be The Hardest Word
Take Me To The Pilot (Y Viva España)
Don't Let The Sun Go Down On Me
Bennie And The Jets (In The Mood)
Crazy Water

Elton solo piano

Circle of Life / Can You Feel The Love Tonight

Finally, it was not "Original Sin" on the list (Ouggggghhh) but how "Carzy Water" rocks. An incredible song, an underrated song, but a fabulous live song.

Jack Rabbit (sleeping tonight)

Jack Rabbit From Barcelona

Since 2003, Barcelona were hungry to hear Elton John in concert. And that was clear, since the beginning of the show, with an audience more receptive than ever. Yes, it was a Red Piano show, a greatest hits show, but yesterday's concert was so emotional and every eltonite felt goosebumps on every song. We have heard so many times the same hits all the times but, it's incredible, how fresh they were those versions tonight. Not only eltonites, the 18,000 Barcelona crowd sang as I'd never seen, and dance as I'd never seen, accompanying a plethoric Elton (such a powerful voice).

The show began, as usual, with "Bennie and the Jets" and then it was the succession of hits, with Elton in a good form (I see Elton happy, happy these days, enjoying the music, enjoying the shows, in a good mood, so, Elton: what are you expecting to go to a studio to record a new album? upps, sorry Elton!!), proclaiming his love to Barcelona, "a big big city" and tributed Daniel Pearl, and the journalism in general, whom give their lives just for helpin' us to see the truth. Elton had time to receive a t-shirt of Barcelona Football Club, with his name "ELTON" on the back, given for a extraordinary eltonites with a great ideas on mind, and Elton loved it: "Oh, this one's for you, Messi".

It was strange not to see Guy Babylon on the band, althought Kim Bullard is a good keyboard player too. Big applauses for Nigel Olsson (Elton presented him saying (Nigel) "is singin' better than ever") and Davey Johnstone, well known both for the spanish audiences. Also, it was nice to see Elton with John Mahon backing on "Sorry Seems To Be The Hardest Word" and how Bob smiled when Elton referred to him. People jumped on the stage on "Saturday Night's Alright", played with the balloons, and had fun! That's Elton, an incredible musician with a great repertoire (all songs on the set list had been a Top 10, how many artists could say that?), a great design of David La Chapelle (great videos) and a good sound (Thanks Clive Franks!!!). A must seen concert, and, please, Elton, come back to Barcelona again, not wait 6 years more! (just a suggestion).

Oh, I have seen the papers reviews of the concert and it's a general opinion that was a great (and unexpected) night. Just one case, it seems the journalist in question would be not at the same venue as me, for the review he did, I would say. Just let me, now, write a letter in answer to him, and I hope the newspaper in question publish it tomorrow. Gonna see!

Following is the complete set list:

Bennie And The Jets
Philadelphia Freedom
Believe
Daniel
Rocket Man
I Guess That's Why They Call It The Blues
Someone Saved My Life Tonight
Goodbye Yellow Brick Road
Nikita (solo)
Tiny Dancer
Don't Let The Sun Go Down On Me
Sorry Seems To Be The Hardest Word
Candle In The Wind (solo)
Pinball Wizard
The Bitch Is Back
I'm Still Standing
Saturday Night's Alright (For Fighting)
Your Song

Jack Rabbit In London: When A Dream Comes True!!!

SPECTACULAR! EMOTIONAL! UNFORGETTABLE! UNBELIEVABLE! All this words came to mind when I was at Royal Albert Hall recent Tuesday for the Elton John & Ray Cooper Benefit Show for the Royal Academy Of Music. The cause "so close to (Elton's heart)" was to raise money to buy a 14 tons with 2,921 pipes organ for the Academy. "I never thought I'd do a concert to raise money for a new organ" joked Elton.

Jack Rabbit's adventure in my loved London began when I arrived to the show. I took a walk to the venue and when I arrived, I saw a van delivering flowers (very beatiful flowers!) for the guest. "Do you know if Elton's gonna be rehearsing this morning, Sir" I asked to one of the members of his crew. "No, he may do it on the afternoon". "Wow!" I went to the Box Office for my Rocket Tickets and the girl on the box told me they have no notice about my tickets. "Sorry?" I was surprised! She told me that she was "so sad for me" and I had to be aware about buying tickets on internet. "But I bought it on the official website!!" I went out, so worried, imagine if I was so worried that I started walkin' through Hyde Park, Memorial Lady Diana Walk, Oxford Street, Picadilly Circus, Trafalgar Square, Big Ben and Houses of Parlamient, Westminster Abbey, St. James' Park, Buckingham Palace and Hyde Park again, all in one walk. I was only thinkin' "Should it be possible to be here and could not see this show? Could it be a bubble? A fraud?" I had no lunch, only a shower, changed clothes, and went to Royal Albert Hall again at 4 p.m. At the Box Office, and I asked to other woman there about my tickets and she just said: "Oh yes! Be in at 6:00 p.m. and you could get your tickets". "Wow" I almost kissed her. I explained she what happened in the morning and she apologised.

They let me be in the rehearsals but without seeing the stage, just listening, and what I heard was unbelievable: "Emperor's New Clothes"? The songs he was rehearsing for almost one hour were so new, some of them he hadn't played before, some others he didn't performed since a long time. Elton linked the songs without even stoping. I have to tell you sincerely, Eltonites, that not me as not many of our Experts Committee, thought about the incredible set list Elton was preparing for that event. IMPREDICTABLE ELTON! I thought! Elton concreted the rehearsals in the new songs he was to play and Ray Cooper just joined rehearsing for two of the songs: "Better Off Dead" and "Indian Sunset".

A walk to the Stage Door let me be in touch with Clive Franks, Elton's sound engineer. "Hello Clive, nice to see you again". "Hello, welcome to the show" he said to me. He's a nicest person, always smiling, we chat a little and when he left me I told him: "See you In Barcelona, Clive". "I will be there!" he smiled. The surprise was to see Ray Cooper on the hall signin' autographs. I am not sure, but what I thought is that he was lost, he was in the wrong direction and suddenly he was in front of fans. A tumult of fans went to him and he was so polite, but when he could he left the hall promising to "come again". Uppss!! He's a lovely person, a very polite person, and a genious (obviously). With me tickets on hand, I went down to the arena, row 8, seat 9 in front of Elton's piano. "Wow!! I'd never been so close to him" I thought. And maybe I won't have the occasion again.

The 5 hours show started with a great performance of the Royal Academy Of Music singers, choir and musicians, tributing Elton's musicals with those beatiful medleys of:

Circle of Life
Can You Feel The Love Tonight
Amneris' Letter
Strongest Suit

Sail Me Away
I Want More
From The Dead (Finale)

Merry Xmas Maggie Tatcher
Solidarity
Shine
Solidarity (again)
Circle Of Life (The End)

Teddy Thomson came to the stage at 7:30 p.m. performing his own set, and then it was an interval of 20' minutes before the magic event. Merchandise included T-Shirts, Tour Book Programme and Mugs. There were notices at the venue that the show was being recorded so we can hope for a blu-ray and DVD release. No flashes during the performace.

Elton appeared at 8:30 to deliver one of the most memorable performaces in a long time, wearing a scarff with the legend "Stardust Kiss. Elton John". 32 songs in three hours show. "Wow!!!" He sat at the piano and begin with the recent solo set list songs. The sixth song was "Emperor's New Clothes" and everything took a new meaning. Four songs from the "Songs From The West Coast", a justice to his last masterpiece album; in my opinion, of course. He was in a good mood, explaining some of his songs: "10 years ago something shocked me" he introduced the twice rehearsed "American Triangle", and continued "Bernie couldn't resist to write a song about it", "What a beatiful song" I shouted. He remembered "an angel, a genious and a fabulous man" Guy Babylon on "Blues Never Fade Away", dedicating the song to him and people who died to soon: "(...) And it happens when I lose my keyboard player, few weeks ago" he said.

When Elton started "Funeral For A Friend" a long shadow of a calb and thin man with dark glasses appeared behind his percussion kit, and people gone crazy. Ray Cooper delivered an extraordinary performace, with a lot of percussion resources, and with the duck call he used in 1974 shows. People loved it! When Elton did "Carla Etude" I was so expected about the next song he linked with, because "Tonight" was played, and the surprise was "Blessed". "Blessed" after when Elton would not be able to adopt a 14-month-old Ukrainian child because he was too old and isn't traditionally married (My God!! What injustice!).

An extended and frenetic version of "Crazy Water" ended the show, before bass drums, congas and cymbals got whacked "Saturday Night's Alright"'s encore. With the promise of more shows with Ray Cooper next year, because "is so enjoyable to play with him", Elton and Ray embraced and the whole venue applauding until exhaustion. Ray touched his heart so many times, referring to Elton.

The Set list, without the old the same hits, eltonites, was:

Elton solo

The One
Sixty Years On
The Greatest Discovery
Border Song
The Ballad of the Boy in the Red Shoes
The Emporer's New Clothes
Rocket Man
The Weight of the World
American Triangle
Skyline Pigeon
House
Tiny Dancer
Original Sin
Blues Never Fade Away
Your Song

Elton with Ray Cooper

Funeral for a Friend / Tonight
Better Off Dead
Come Down In Time
Levon
Indian Sunset
I Think I'm Gonna Kill Myself
Daniel
Sorry Seems To Be The Hardest Word
Take Me To The Pilot
Carla Etude / Blessed
Don't Let The Sun Go Down On Me
Honky Cat
Crazy Water

Encore:

Saturday Night's Alright (For Fighting)

What an emotional night! Doesn't matter if Elton forgot one or two lines on "House" (he did perfectly on rehearsals). After three hours concert we all agreed: "That was an unforgettable show" and could not miss the following ones with Ray.

A loving reminder to AnnaBCN, Montserrat, Linda, John F. Higgins, James, the girls I've met in Munich last year, Gro from Norway who was on my side at the concert, the boy from Australia (couldn't remember your name, sorry!), and also the man and the woman from England, the man who went first to Ray Cooper when I shouted "Ray Cooper!!" I followed him, of course.

Oh, I would like to thank Midnight Creeper, from Hercules MSB, for noticing me about "The O2 British Music Experience", I went there and I loved it, although the shop in there had not any Elton items to sell (I made a complaint, I couldn't believe it because Elton's an icon in England). And sorry Jamesm, I couldn't come to Watford, although I would like it.

My flight landed yesterday midnight in Barcelona, but my heart will always be with London and my nicest memories to the Royal Albert Hall event. Oh, what's next? hahaha

Jack Rabbit In Munich: The Fan Convention

When I took the plane to Munich, I couldn't imagine that I would spend one of the most beatiful weeks of my life. What's a fan convention? well, a get together where we could met another eltonites and talk hours and hours about Elton (really it's hard to do it in my homeplace, lol). Stephan was the leader of a well-organized fan convention. We went to Hard Rock Café to lunch and began to explain our histories about Elton. Everybody had one at least. I understood that we simply love Elton, we are so loyal to him, we adore him. I met people from Japan, Sweden, Ukraine, Switzerland, Spain (of course), France, Israel and Germany. I remember all of them very well, although I didn't had the chance to speak with all of them individually. Also all wore a pin from Hercules and another pin about I-Don't-Know-What-Blogsite-It-Was-Talking-About, some friki eltonite should give them. Ahhhh!!!

I still feel the nervous sensation when we went together to the Munich Olympia Halle. Elton was in a good mood and obviously in form. After his lengthy explanation about how he had crossed out the last verse to "Daniel", everybody was laughing about that, and an surprised Elton said "God, your English is soooo goooood". And after the Rocket Man video, Elton joked with the audience and asked them a question: "You know, that wasn't really me in the movie. Was it a) Michael Schumacher, b) Barack Obama or c) Justin Timberlake?". That delighted the audience, everybody was laughing too. All the videos are beatiful and David LaChapelle did a wonderful job, what the video of "Someone Saved My Life Tonight" impressed me. I was waiting that, trying to imagine how LaChapelle would explain Elton's suicide attempt; yes, that surreal situation in the line of one of bests Woody Allen's films: the man prpearing the pillow, opening windows, opening the gas oven and putting his head inside. I really liked the "Believe" video too and the fantastic "PinBall Wizard" one. My God, the Red Piano it's rally an spectacular show.

Set List:

Bennie and the Jets
Philadelphia Freedom
Believe
Daniel
Rocket Man
I Guess That's Why They Call They Call It The Blues
Someone Saved My My Life Tonight
Goodbye Yellow Brick Road
Sorry Seems To Be The Hardest Word
Tiny Dancer
Don't Let The Sun Go Down On Me
Candle In The Wind
Pinball Wizard
The Bitch Is Back
I'm Still Standing
Saturday Night's Alright For Fighting
Your Song

I was so sad because Victoria and Elizabeth couldn't bring the flowers they bought for Elton. And I hear somewhere other people had plans to give a present for Elton without success (you know what I mean dears!!!)

And I couldn't forget three wonderful people I met. They gave me a fantastic weekend, they were so amazing, so friendship and so beatiful. I danced with them and I sang with them all the songs like I never did. I finished exhausted buy happy. That's what it counts for me. My best wishes to them and I really wish I could have a new chance to be at their side other day. Ferran, Brigitte and Anna: since that, you always have a place in my heart. Thank you for being as you are.

Jack Rabbit In London (and IV)

I returned to the EJAF in 1997 but they changed their headquarter. That was not so long so, I went. I called and they opened the door. I meet a guy called Michael (can't remember the name). He was so gentle with me and asked me where I was from. He gave me a book, a signed picture of Elton, three cds (he had then "The Big Picture", not released when I was there, but told me he couldn't give it to me for obviously reasons), a subscription to the East End Lights Fanzine and when I asked him about Elton, he showed me Elton's office at the foundation: unbelievable!!! He had one jacket there, gold discs on the walls, paintings, ... wowww!!! A pity he wasn't there, he was in America. Me and Michael lost contact after two or three letters days on. Actually, I don't know if he still is in the Foundation working. I returned again in 2004, again in a new headquarter (see picture), and nobody could give any reference to Michael.

Rocket Pictures was the same headquarter than the Foundation, but there was a recepcion. It wasn't the same, because the recepcionist didn't let me to be there, unlike the other times.

Last station was Woodside. I went to Windsor, I did a picture as if I was Elton on the cover of "A Single Man" album, and I took the bus: west on Castle Hill toward Market St., then on the left on High Street, Kings Road, bear A308/Albert Rd until Straight Road. Half an hour until I arrived at destination, as the bus driver said to me: Bells Of Ouzeley Pub and then on foot.
But between here and Woodside should be about another half an hour walking and it was mid afternoon. I wasn't sure the bus driver said the best option for me. So I was a bit disappointed. On the left there was a park, with boats, and people strolling around. I met a gentle person, one man called John who gave me the correct direction to go to Woodside. My surprise was when he offered me to drive by car. I inmediatily said "yes". So, we went. We turned right at B3021/St Luke's Rd, continue toward St. Luke's Rd and, finally, Crimp Hill Road, and Woodside.



It was incredible. I had seen so many pictures of eltonites like me, and their pictures in front of Elton's house, and finally I had mine. John told me he met Elton one time and he remembered when Elton was in town walking and people didn't recognize him because he didn't wear glasses. I wanted to pay the trip to him but he didn't accept it, because he thought he spent great time chatting with me. Whenever you are now, John, God bless you!!!

Jack Rabbit In London (III)

"Hammersmith. That's it!. Walking around until I find EJAF". I was surprised for the type of old house building. A moment of doubt but finally, I was inside the Foundation.
A man, James Locke, came to help me and told me what I need. "Oh, I have to confess. I have not AIDS, fortunetely, but I am a big fan of Elton. If you don't mind to give me some brochure or something like that". He smiled and gave me a book about the Foundation. He told me Elton's a great boss but wasn't there at the moment. After chating a while, I wish them good luck in their projects and left the house. Next station: Pinner and Watford. A long run only to take a picture where Elton lived in his childhood and the stadium that saw him as a president of a Football Club. A T-shirt, some pictures and came back to the hotel. I was so sad when I left London behind that I felt I have to come back again.

And so I did, one year later. Augoust 1997. Second day, at the hotel, in the morning I put on the TV and saw the terrible new: Elton's friend, Princess Diana, died on a car accident in Paris. It's true that the whole country was in a shock.
Elton entered serious to Wesminster Abbey and did a superb performance. It was so emotional and I could see people crying while "Candle In The Wind" was on the air.

Jack Rabbit In The Big City (II)

Picadilly Circus was a little bit disappointing for me. Maybe I was influenced by typical postcards of the place: the neon lights, the punkies... But when I arrived there, the neon lights were as big as I thought and I coudn't find any punky. But I found something I really like: that was "The Rock Circus". Oh, I've got to go there, there could be Elton. Rock music with its intense vitality and astonishing diversity was there alive and... rocking. And Elton was there: his wax figure, of course. I sat at the piano with him, and it was "bbbb... benny and the jets". Funny enough!!!

After that, the next two days were tourism: the Tower of London, the Bridge Tower, St. Paul's Cathedral, National Gallery, the Portrait Gallery (with a nice picture of Elton too) and long walk to Hyde Park and St. James' Park. I saw squirrels, yes, but anyone stole my food, no. And Madame Tussaud Wax Museum: too many people out there, waiting to enter, and a bit expensive ticket. And no Elton there. "Elton's only in Rock Circus" told me the watchman.

Next time had to be Elton's Tour. And it was. I went to Lancaster Grill, near New Oxford Street 71-75, round the corner, to take a cup of coffee like Elton & Bernie did some day. New Oxford Street, where it was Dick James Studios, there was only the old building, nothing else. Round the corner, in a bar, I saw some figure that looked like Elton's mum. But that was my imagination, she couldn't be Sheila Farebrother. 101 Wardour Street, where it had to be Rocket Records Company, there was nothing, only the building again.

"Where I could go now?" I said to me. "Ok! Let's go to Elton John AIDS Foundation" and to Pinner and Watford, trying to find Elton's roots..."

To Be Continued Tomorrow