Access Granted: Collecting Elton John’s Most Coveted Backstage Passes

 

For most fans, a ticket stub is a keepsake. But for a select few, the real treasure has always been the backstage pass. Elton John’s passes are not only keys to secret worlds behind the curtain — they are miniature works of art, tangible fragments of music history, and objects of desire for collectors worldwide. Over decades, they evolved from simple laminated cards to colorful, graphic designs, each telling a story of a tour, a city, or a moment shared with the artist.

From the earliest tours in the 1970s, backstage passes served a practical purpose: granting access to areas off-limits to most fans. During the Goodbye Yellow Brick Road Tour (1973–74), passes were simple laminated cards, often with handwritten “All Access” or “Crew” labels. By the mid-70s, some introduced bright colors, tour logos, and playful motifs such as Elton’s top hat, piano keys, or caricatures, hinting at the visual creativity that would define future designs. Iconic examples include the 1974 Madison Square Garden pass featuring John Lennon and cartoon-style passes of Elton in stage costumes, offering fans a tangible connection to a world few would experience. Even the materials — flat paper or thin card stock sealed in plastic, often with a punched hole for a lanyard — carried a handmade charm, highlighting Elton’s early flair for visual storytelling.

By the late 1980s and 1990s, passes became more polished and collectible. Photography took center stage, often featuring Elton’s portrait, lending a professional and official feel. Security printing advanced with holograms, microtext, and glossy finishes, making passes harder to counterfeit while enhancing their visual appeal. Tours like Made in England (1995) introduced holographic “All Access” badges with Elton’s piano logo, and the 2007 Elton 60 tour combined color, typography, and city-specific details, turning each pass into a miniature work of art. Different categories — All Access, VIP, Crew, and Local Crew — distinguished access and significance, reflecting both practical needs and collectible value.

The 2000s and 2010s saw a creative flourish. Passes incorporated digital collage, surreal illustrations, and thematic references tied directly to each tour. Examples include the 2007 Australia & Japan All Access pass with maps and sunbursts, and the Red Piano and Million Dollar Piano shows in Las Vegas, featuring bold, theatrical iconography like giant red or golden pianos. Tour mascots and playful cartoon figures reappeared, as in the 2016 All Access pass, reflecting Elton’s whimsical side. The Farewell Yellow Brick Road passes represent the culmination of this evolution, blending archival references with iconic imagery — from the Yellow Brick Road itself to glittering, superhero-inspired stage costumes. These passes function both as access tools and miniature commemorative posters, deliberately crafted to be remembered and kept, echoing the aesthetic of limited-edition art prints: saturated colors, layered graphics, and a mix of nostalgia and celebration.

For collectors, a backstage pass is more than an object; it is a bridge into the intimate world of the artist. Each pass represents a memory, a story, or a rare opportunity. Some are valued for their rarity or association with legendary tours, while others are treasured for personal anecdotes: the moment a fan shook Elton’s hand, or a glimpse backstage that became an unforgettable memory. Experts like Stephen M. H. Braitman, an accredited appraiser specialized in music and entertainment archives, provide context on the broader collectible market. “Just one of many kinds of memorabilia that people collect,” he notes. The value of early passes depends heavily on the artist, the band, and the venue. On authenticity, he cautions: “Rarely do passes get counterfeited unless they are by the most highly collected artists, like The Beatles. Know your seller. And good to compare with other copies.” Even though his examples are more general, his advice resonates with Elton John collectors.

Beyond their collector value, backstage passes are celebrated as graphic art and historical archives. They reveal the evolution of tour design, Elton’s visual identity, and the culture of each era. Over decades, the passes chart Elton’s changing persona: the quirky rising star of the 1970s, the global celebrity of the 1990s, the Las Vegas showman of the 2000s, and the legendary figure closing his career with a farewell tour. Today, collectors treasure them not only for rarity and provenance but also for artistic merit — small, tangible time capsules that capture the spirit, style, and stories of Elton’s extraordinary career.

Ultimately, Elton John’s backstage passes are a testament to his enduring legacy. From humble laminated cards to vibrant, collectible works of art, they capture the spirit of his tours and the energy of his performances. They connect fans to history, to music, and to moments that might otherwise have been lost to time. Whether appreciated by collectors, photographers, or historians, these passes offer a tangible connection to a world behind the curtain — a world of music, memories, and magic that continues to inspire and captivate.

From The Spotlight to Paris: Kudisan Kai’s Artistic Evolution

It’s been a privilege to follow the journey of Natalie Jackson, known to many as Kudisan Kai, over the years. We first connected more than a decade ago, when she was already leaving her mark as a powerful backing vocalist and collaborator with some of music’s greatest names. Later, in 2014, we caught up again as she began carving out her path as Kudisan Kai, stepping into the spotlight as a solo artist, composer, and storyteller. Now, almost ten years later, we reconnect once more. So much has happened since those early conversations: new projects, new stories, and new perspectives. Kudisan Kai’s career has always been defined by passion, resilience, and versatility—whether singing alongside Elton John or Chaka Khan, teaching the next generation of musicians at Berklee College of Music, or sharing her own truth in her book Memoirs of a Back Up Diva.

Now I find you… in Paris!!! A city known for its history, art, and music. How did fate lead you here, and how has living in this luminous city influenced you, both personally and artistically? 

You know, it’s really funny. After returning to Los Angeles in 2014, from teaching at Berklee College of Music in Boston, MA, I thought I would be in LA doing recording sessions and solo projects forever. But, after all of the challenges, specifically, yet another SAG/AFTRA union strike, I decided to dive into other areas of my life that I had passion for. That would be wine. I have always wanted to open a restaurant which included a performance venue. I attached this ‘for-profit’ restaurant concept to a non-profit project I founded called, Transcend Cradle (aka TCLC). It’s a cooperative living/lifestyle community that reacclimates homeless people back into society in an empowering, healthy way through free housing, spa/wellness, and mental health services. As part of learning about the restaurant industry, I decided to study wine. So, I completed my WSET Level 1Wine Certification in 2024. Then, I figured, why not study wine at the source? So, I closed my eyes and took a chance at going Europe. Initially, Dijon, France was my first destination to study at the Burgundy School of Business. But, I flew to Paris first to await word on a wine scholarship and ascertain finances and living quarters in Dijon. I already knew from my travels that European lifestyle suited my spirit. However, I found peace in Paris. Of course, fate stepped in and connected me to some musicians I had actually worked with on a film in the US (an animated film entitled Rugrats: The Movie). I ended up singing, writing music for this friend’s record project, and doing a private gig with Bernard Fowler ( bgv for The Rolling Stones). Who knew?

And how has your creative perspective changed since moving to this city? 

At this point, creatively, I think I can probably do just about anything I want to do. I believe anyone can. The days of feeling you need to be in LA or NYC or London to really make it in the music industry are dwindling. You can do recording sessions for producers from anywhere in the world and just email them the tracks. There are still sessions in those cities, but they are fewer as the years go on. I really want to get into writing music for film and television. I’ve connected with a couple of music supervisors here in Paris. There’s a great probability I will be singing the tracks I write, so my voice will be heard and that’s exciting. The only thing that has changed is that I’m no longer touring on the road as a back up singer. However, I stopped looking in that direction in 2016. It was time to do something different.

Looking back, you’ve collaborated with incredible artists like Elton John, Chaka Khan, and Beck. I’m curious—what have been the most revealing experiences from these collaborations? 

I am always amazed and grateful for my precious time spent working with Chaka and Elton. I learned more from them than any of the other people I ever toured with. You know, their birthdays are two days apart 😉 I realized their impressions through my teaching experience at Berklee. I could see in ‘real time’ how I approached singing and performing on all stages, arenas, and stadiums, watching and hearing my students regurgitate what I would teach them, confirming the validity of what those icons taught me. What can I say, I learned from the best. They both LOVE what they do and are secure in themselves as artists. They don’t second guess. Brilliant at what they do and they know it. And yes, they are both extremely witty, hilarious, quite intelligent, probably having a high IQ.

As you’ve grown as an artist, how would you describe the evolution of your sound from your early days as a backing vocalist to the music you create today? 

It took me a long time to realize my insecurities and to be confident in my singing voice. For many years, I spent time trying to be the best I could be at whatever people wanted. I wanted to do my best job at whatever the genre, whatever the sound I was asked to make. I worked hard and think I did rise to the occasion. I give all thanks to a narcissistic mother for this. It was all about feel I needed to be perfect and making her happy. I realize now that I missed out on a lot of fun and just enjoying singing. I appreciate and accept my sound which is rooted in classical training. It colors my tone. Also, I recognize that being raised in Memphis, TN influenced me as a soul/funk singer. I love myself as a human now more than ever, so I sing with a new level of trust and freedom, and vulnerability, and self-love. The backing vocalist jobs allowed me the space and time to sing EVERYTHING. So, I know what feels good in my voice. I know what vocal qualities I have and how to exploit them. I’m ok with me vocally. I am happy and I really enjoy singing songs I am emotionally connected to ♥ 

Your songs, such as “Transcend” and “Portrait,” explore very personal and profound themes. Can you tell me about your creative process when working on pieces with such powerful messages? 

Whew! Now that’s a loaded question! That time and those two songs which are from my EP Transcend, were written after my divorce. They are filled to the top with angst, despair, sadness, tinged with a few teaspoons of determination. At the time, I wanted to really sing more in my alternative rock genre, I was still teaching at Berklee and wanted to find a way towards solo performing. I felt a bit suffocated with it all. I feel that the energy that was felt from hearing me sing at that point, might have been interpreted as unsettling. Sometimes, that can work because it can be palpable. Sometimes, it can come off as freeing but unfocused. I don’t know. You would have to ask a listener. My process simply is to be honest. Good, bad, or indifferent, that’s honestly where my head was at the time. Hey, it was the truth.

You also have a strong classical background. How do you bring those elements into your contemporary style while still maintaining your unique musical identity? 

For a long time, once I decided that alternative rock was my genre, my passion, I was upset that I could not find my ‘natural’ voice. I feared the vocal training had destroyed it. What could I do? I had been classically trained since the age of 10. What I came to realize was, the training had created a color/texture/ buttery quality to my tone which affected everything I sang. THAT quality became my DNA. That quality is what shaped and formed my brand of alternative rock. All I had to do was to be honest in my intentions and just allow my personal experiences to speak through my instrument. That’s it. So, now I am grateful for my training. It is part of the shaping of my unique musical identity. I accept it.

Shifting a bit, as a former professor at Berklee College of Music, what lessons do you consider essential for emerging musicians today? 

Be a master at whatever you do. Once you figure out your passion, learn it, know it inside out and around. Live and breathe it so that when you get up in front of people to express your story through your instrument, you can be 100% open and vulnerable as you channel/perform. That’s where the magic is. That’s what the audience want to experience. The magic.

And looking at the broader picture, as an educator and artist with a solid classical foundation and experience in diverse genres, how do you view the current musical landscape, especially with new trends like reggaeton dominating young audiences’ tastes? 

I love the beat. I love the groove. It’s popular music. It’s an escape. I don’t know exactly what they are saying. I hope it’s positive. Popular music has always had its place in every society. People need a release. People need something to escape to. The world is going through a traumatic change right now, so today’s pop music can be a welcome break. What’s also happening is that this world of decadence and obsession with material things is coming to a boiling point. I feel it’s about to end. Money can’t make you happy. Even with all of the hate that infiltrates social media, I feel it is a sign of people feeling unheard and in total fear of the changes that are happening on the planet, so they are lashing out. It’s incredible to watch. However, I am a believer that love will always win in the end. The pendulum is swinging far, far to one ugly, murderous, hateful side, but hey. This only creates an incredible momentum in the other direction. As artists who write and perform the music that will tell that story? It will be heard. Society will need to hear it. Society will beg for it to be heard.

Throughout your career, you have been an advocate for African American women in rock. How do you see the evolution of this movement, and what steps still need to be taken to solidify it?

I think we are finally over placing a color on every freaking thing. Thank God for the racial mixing and yes, I contributed to that ♥. My daughter is bi-racial. I did get caught up in that conversation and felt a need to be heard as a black woman who knows the history of the music and wanted to be a recognized part of it. People in the US are so racially separated. At this point in life, I see people as all being the same. We are spiritual beings in a fat suit. Period. If you still want to acknowledge different, then we are all members of one race. The human race. The people who are fighting to maintain separation are wasting their breath. Their killing, fighting, and hurting others because they are different, will only wreak havoc on themselves.

Your book, Memoirs of a Back Up Diva, offers a very intimate look at your career. Which parts of your story do you consider most significant or important to share? 

I started out writing it as a guide on how I got started in the music business. Everyone at Berklee College would ask me that question. It turned out to basically be a ‘day in the life of a singer’, which I thought my experience was unique and not so extraordinary at the same time. What it became, was a story of how I was trying to re-invent my career in a new music world order with the challenges of homelessness. It became a story of resilience even in the face of still working as a back up singer on f ilm, television, and on the road (at that time, I was with Chaka Khan). I think finding the strength, the resilience from day to day, became the most significant part. The stories of being on the road became entertaining. The resilience in the face of homelessness became the lesson.

Is there an anecdote or reflection, however small, that you find particularly meaningful in your artistic journey? 

I’m still on the journey. It never goes away and I never give up. It takes a different shape and goes down a different path each moment, each day. I took acting lessons during COVID and continued them later. I started painting abstract watercolors a few years ago and have sold a few. I’m amazed at how my artistic journey expands. It’s like a box of chocolates. You never know what you’re going to get ☺

Looking ahead, what projects are you currently working on? Is there a new direction or collaboration that excites you? 

My last collaboration was a Christmas duet with the Goo Goo Dolls a couple of Christmas’s ago. No other collaborations right now. I am hoping to get the call to write for a film at some point. I did get asked by someone in the US to do some writing for a tv series, but that’s still in the works. I am still hoping to get my WSET Level 2 Wine certification. I’m awaiting word on exactly where I will do it now. I have decided not to go to Dijon. I may do it here in Paris or I may do it in the South of France. I’ve been considering moving there. I really miss the ocean. I’ve been writing music in what people are calling alternative indie (Teddy Swims, Yebba, Shaed, Moses Sumney). I’m thinking my solo work will probably come out of writing and performing this genre on film/tv. I’m writing a second book now, which should be the ‘epilogue’ to my previous book (Memoirs Of A Back Up Diva) now that my life has found its happy ending here in Europe. Finally, I am promoting my online vocal performance masterclass right now called, In The Spotlight: Vocal Performance Mastery. It’s on Patreon now. It’s for professional singers who are ready establish their brand to secure their audience via masterful performances.

And finally, what advice would you give to young artists who want to follow in your footsteps and make their mark in the music industry today? 

Follow your heart/passion/bliss. Do what FEELS GOOD. The world will seek and find you. Be ready.

Through this conversation, we gain insight not only into Natalie “Kudisan” Kai’s artistic journey but also into her vision of resilience, education, and life itself. From Paris, surrounded by memories of historic collaborations and new creative ventures, she leaves us with a clear message: passion, perseverance, and authenticity are what truly define an artist — no matter how the musical landscape shifts or which trends come and go. To dive deeper into her journey, readers can discover her memoir Memoirs Of a Back Up Diva or join her vocal training program In the Spotlight: Vocal Performance Mastery. We sincerely thank Kudisan for your time and generosity in sharing your journey, and I wish you continued success and inspiration in all your creative endeavors.

Pictures Courtesy Of Kudisan Kai

Decoding the Symbolism: The Hidden Language of Elton John and Bernie Taupin

Few partnerships in popular music have been as enduring and creatively fertile as that of Elton John and Bernie Taupin. Since the late 1960s, Elton’s melodies and Bernie’s words have merged into songs that are both timeless and deeply personal, resonating with audiences across generations. While Elton provides the musical canvas, it is Taupin’s lyrical imagery that often turns these songs into miniature worlds — places where listeners can find echoes of their own lives.

One of the keys to this lyrical power lies in symbolism. Taupin’s writing frequently goes beyond straightforward storytelling; instead, he draws on recurring metaphors and symbolic motifs to create a universe rich with meaning. These recurring elements — journeys, light and darkness, childhood memories, animals and the natural world — not only give his lyrics depth, but also provide multiple layers of interpretation that have kept fans returning to them for decades.

The Journey as a Symbol of Personal Growth:

Among the most enduring symbols in Bernie Taupin’s lyrics is the idea of a journey—a road, a path, or a quest for something beyond the horizon. This motif often embodies personal growth, transformation, or the pursuit of meaning, weaving through Elton John’s catalog with profound emotional resonance.

• Goodbye Yellow Brick Road remains a foundational work: the “yellow brick road” represents a lure of fame and escape, but also disillusionment and nostalgia for simpler times.

• In Rocket Man, the cosmic voyage mirrors ambition and isolation—striving for greatness while drifting emotionally apart.

• Tiny Dancer uses highways and free-spirited imagery to suggest searching for identity and belonging.

• This Train Don’t Stop There Anymore employs the train as a metaphor for irreversible change and the closing of chapters in life.

• I’m Going Home speaks of returning—after a long, lonely journey, finding solace and resolution in “home.”

• The North (a deeper cut) highlights the yearning for direction and self-discovery, making the search itself meaningful.

• Captain Fantastic and the Brown Dirt Cowboy narrates the literal and metaphorical journey of two boys becoming artistry icons, tracking personal and professional growth.

These journeys transcend physical travel. They are emotional, spiritual, and introspective quests. Whether the symbol is a dusty road, a rocket, a train, or a metaphorical compass, these narratives invite listeners to see their own growth, struggles, and transformations mirrored in the music.

Light and Darkness: Hope and Struggles:

The imagery of light and darkness is one of the most evocative tools in Bernie Taupin’s writing. These contrasts rarely serve as decoration; they carry emotional weight, embodying despair, hope, concealment, and revelation. Elton John’s music often heightens these oppositions, giving listeners a visceral sense of shifting between shadow and light.

• Don’t Let the Sun Go Down on Me, the fading sun becomes a metaphor for exhaustion and loss of strength, while the plea for connection transforms darkness into shared vulnerability.

• Original Sin, regret and secrecy appear as lingering shadows; acknowledging them becomes a form of illumination, where honesty itself offers a sliver of light.

• Daniel, a song whose bright surface conceals inner pain and distance, showing how melodies of light can mask emotional darkness.

• On Dark Street, a direct plunge into bleakness, describing a life stripped of brightness and weighed down by struggle.

• The One where love is presented as a radiance strong enough to scatter shadows, turning uncertainty into clarity.

• Bad Side of the Moon or a cosmic metaphor for isolation: living unseen and forgotten on the hidden side, where warmth and recognition never reach.

Through these songs, light and darkness emerge not as fixed states but as forces in motion, shaping the emotional universe of Elton and Bernie’s work.

Childhood and Memories: Nostalgia and Personal Formation:

Bernie Taupin often draws on his own childhood and personal memories to craft his lyrics, weaving an emotional narrative that resonates with listeners through nostalgia and reflection on the past. These songs not only explore personal memory but also the formation of identity and the search for meaning over time.

• First Episode at Hienton evokes a sense of nostalgia and reflection on youth and the early experiences that shape life.

• Blue Avenue revisits themes of childhood memories and the relationships that define emotional and personal development, with a nostalgic and melancholic tone.

• Teacher I Need You deals with youthful fascination and the innocence of adolescence, reflecting the first emotional experiences and the formation of identity in youth.

• We All Fall in Love Sometimes explores the search for connection and identity in adulthood, with lyrics that portray love as a formative and transformative force.

• You Can Make History (Young Again), a song about the ability to reinvent oneself and recapture inner youth, with lyrics that inspire hope and personal renewal.

These songs provide a deep insight into how Bernie Taupin uses his own experiences and memories to create lyrics that resonate with listeners, exploring the formation of identity and the search for meaning in life.

Animals and Natural Elements: Connection with Life and Emotions:

Bernie Taupin and Elton John have explored throughout their career the relationship between humans and nature, using animals and natural elements as metaphors to express feelings, emotions, and deep connections with life.

• Indian Sunset combines elements of the American West with lyrics reflecting on life and death, using the image of a Native American observing his destiny.

• Crocodile Rock, with an energetic rhythm and nostalgic lyrics, this song evokes memories of a past era, using the image of a crocodile to convey the energy and excitement of those moments.

• Grey Seal, although the lyrics may seem cryptic, the song uses the image of a seal to explore themes of freedom and self-expression.

• Skyline Pigeon, a ballad that uses the image of a pigeon flying freely to express the desire for freedom and the search for a better place.

• Can You Feel the Love Tonight written for The Lion King, this song uses elements of nature to convey a message of love and universal connection.

• Poor Cow is a reflective song that depicts the struggles of working-class life, using vivid imagery of daily hardships, relationships, and social pressures. Through Bernie Taupin’s lyrics, it connects personal experience with broader human emotions, portraying vulnerability, resilience, and the reality of everyday challenges.

These songs show how Bernie Taupin and Elton John have used nature and animals as symbols to explore deep human emotions, creating a connection between the natural world and personal experiences.

Love and Relationships: Intimacy and Emotional Bonds:

Bernie Taupin and Elton John have explored throughout their career the complexities of human relationships. Their lyrics delve into love, loss, passion, and vulnerability, creating a strong emotional connection with the listener.

• Mona Lisas and Mad Hatters, a reflection on urban life and its contradictions, using the imagery of “Mona Lisas” (idealized women or the masks people wear) and “Mad Hatters” (eccentric or troubled individuals) to represent different facets of society.

• Bennie and the Jets as an ironic critique of the music industry and fame, personified in a fictional band.

• Sacrifice,a ballad about the challenges of long-term relationships, highlighting emotional distance, compromise, and the bittersweet nature of love.

• High Flying Bird, a song about aspiration and freedom, using the image of a bird flying high to represent personal dreams and desires.

• Strangers, an introspective piece exploring loneliness and the quest for connection in a world full of strangers.

• Sorry Seems to Be the Hardest Word, a deeply emotional song about the pain of difficult relationships, expressing vulnerability, regret, and the struggle to communicate feelings.

These songs exemplify how Elton John and Bernie Taupin have explored the depths of human relationships, crafting lyrics that resonate with listeners through their honesty, emotion, and timeless themes.

Social Commentary and Personal Reflection: Critique of Society and Self:

Elton John and Bernie Taupin have consistently infused their music with social commentary and personal reflection. Their lyrics examine human behavior, societal pressures, and cultural norms, blending storytelling with insight and critique.

• All the Young Girls Love Alice, addresses bullying, misunderstanding, and discrimination, using irony and empathy to highlight the struggles of its subjects.

• Social Disease reflects on excess, social decadence, and the superficiality of certain cultural circles, critiquing the behaviors and values of the time.

• Lies, explores betrayal, deception, and contradictions in both personal and societal relationships, revealing the darker sides of human interaction.

• Made in England offers a satirical look at national identity and British society, combining irony with keen social observation.

• The Open Chord, a mature reflection on life choices and self-evaluation, carrying a philosophical tone that encourages introspection.

These songs demonstrate how Elton John and Bernie Taupin have used their music to comment on society and human nature, creating lyrics that not only entertain but also provoke thought and self-reflection.

The recurring symbolism in Elton John and Bernie Taupin’s lyrics—whether journeys, light and darkness, childhood memories, nature, love, or social reflection—creates a rich and multi-layered universe. These symbols provide emotional nuance, multiple levels of interpretation, and lasting resonance, allowing listeners to engage with their music both intellectually and emotionally. Revisiting their songs with attention to these motifs reveals new meanings, connecting the listener more profoundly to the stories, experiences, and reflections embedded in each composition. By exploring these recurring themes, fans can gain a fuller understanding of their artistic evolution and the enduring significance of their collaboration.

Photos courtesy of Miquel Sala